The fool, the cult and the tower

The fool, the cult and the tower

Perhaps the longest title we had – The fool, the cult and the tower – our RE in 1991. The theme was based on ‘cults’ using the imagery of tarot and circus and a parody of TV evangelists. My favourite bit of the whole design process was the stuffed cats on sticks, which the TV audience waved in adulation (pre-empting an Oprah-style event). The very talented Danielle Baseley (below right with Ram’s horned hat) created much of the imagery for the Principal cast costumes and the sets. She and our production crew (including the legendary Lara and Bell Frolchenko and the wonderful Judy Charnaud) pretty much hand-painted everything in sight. We prided ourselves on the fact our costume budget was about $10 per cast member e.g. Dan painted all the detail on the the fool’s shirt, so it cost next to nothing but was absolutely unique!

We always tried for an atypical ending in these performances – nearly everyone else ended with a huge cast tableau, so we always wanted to be different, and besides, a tableau never suited our content. This one didn’t quite come off – the ending included the fool’s parents bowling (lawn bowls) and painting (a fence) and the TV Evangelist/High Priestess and their crew standing in informal noisy huddles congratulating themselves on the fool’s entry to the tower at the end of the ‘show’. Just another  moment for the audience to think ‘What the …’

Happy Birthday Violet Rose

Happy Birthday Violet Rose

Happy Birthday Violet Rose was our 1990 effort. It came complete with an old people’s home, a two-storey teenage party, a larger than life cake with lit candles, a five metre high birthday card and a gothic shrine on wheels. The gorgeous Donna Wijngaart (above centre and below right) created much of the design concept for this performance, in particular, the costume design.

Donna also choreographed the ‘box dancers’ (above left) with unique movement motifs that referenced the birthday presents which made up the set. We had about 8 versions of Violet Rose at different ages. Each Violet was prepared to dye her hair red for the performances. Such commitment! Violet’s children (above centre) were costumed in the most amazing hand dyed (marbled) dresses and waistcoats. Donna virtually did all this single-handedly. Oh, and she choreographed their dance as well.