July 22 2020: Part 2—networking

1000 days ago, before committing to resolve some of the ideas and images that swirled around my practice, I struggled to find clarity of direction.

My practice is diverse. I can’t say that I love the media areas that I work in equally. I adore knitting. I have a great affection for digital media. I tolerate painting and drawing and their derivatives because I can make original and immediate marks using brushes, pens and pencils.

No, that’s not quite true and ‘tolerate’ isn’t the right word because once I get stuck in I love painting and drawing. It’s just hard to get started. There’s more to be said about that in future posts I think.

There are significant moments in the last 1000 days that are worth reflecting on and they all relate to finding ways for the parts of my practice to talk to each other. A couple of years ago I wrote about this on toomanypies.com in a post about Instagram.

Instagram is good for capturing on-the-run images that support my process. In this space my little pies can ‘talk to each other’.

They can talk colour ‘whoa! same, same’ or ‘wow! you’re very different…’ or ‘do you really think you have to be purple?’

They can talk texture and form ‘you’re a five-petalled flower too!’ or ‘what does it feel like to be a fabric design?’ or ‘let’s talk mathematically’

They can talk together about the world and imagination and struggle and influence and serendipity.

Components of my work have been networking and are building relationships. Here’s a snapshot of moments of significance in that process over the last 1000 days.

Fibre forms

I’ve been working on colourwork, lace patterning and layered patterning, and more organic forming when knitting. I now claim to be an ‘intermediate’ knitter, and am building expertise to create original forms and more complex patterns. There are some great free apps where I can create graphs of my own photographs and paintings which are knittable, and manipulate kumihimo braid patterns to better express an idea in a functional object. There is an increasingly closer relationship between my knitting and my art. A friend and colleague saw landscapes in my knitted work and inspired me to move in that direction.

Mixed media work

I’m a bit excited about some techniques I’ve developed in this area. My ‘talisman’ works are developed in processes that move backwards and forwards between the computer and the easel. The bowls in this series are ‘found’ public domain images of ancient and antique ceramic bowls, which are then manipulated digitally in texture, patina and form. The objects in the bowls are digitally created or manipulated, or drawn first. The composition is also created on computer and changed and added to as I work at the easel. Drawn and printed images that make up the composition are assembled on board.

I have developed a method for putting the elements together that includes scraping and thinning the paper, using gel medium as adhesive, using gesso and sanding in layers to provide a good surface for further painted and drawn elements. As I work at the easel I continue to manipulate the image digitally, usually adding shadows, reflections and highlights. I guess some would ask me why I don’t just draw or paint the image without all the other palaver. I would answer that doing it this way allows the conversation between media, tools and processes and the resulting image always shifts from the original intent. It’s like doing lots of studies prior to a finished work but using digital tools in the mix.

Exploration of the elements of nature

I’ve been testing the water here, haha pun intended. I’ve always been interested in the symbolism of the elements—both eastern and western interpretations. Over the last 1000 days I’ve allowed myself to play with still and moving water, clouds and mists, and stone and metal surfaces and objects. The conversations between media in this space are still whispers but I sense there is a strong connection growing.

Part 3 of this little exposition is about what I’m working on now and where I’m heading. I feel a new commitment to a deadline coming!


Desperately seeking…

I am aware that I’m a slow blogger. Except by definition I’m glacial.

I’m pretty prolific when it comes to drafting posts though. There are lots of draft posts in the pot. 29 draft posts abandoned. This is one of them.

I came across this never-finished post from February last year. The title ‘Desperately seeking..’ pertained to gaps/wants/needs in my art practice and here is the list I wrote back then:

Technical foci looking for a SUBJECT:
oils, layers, use of transparency, [representation of ] folds, fur, weaving

Expressive/aesthetic obsessions looking for a FORM:
Fibre (texture, pattern, colour), digital (layers, textures, objects), painting (surface, texture, objects, Pareidolia)

Symbols and images looking for a PERSONAL METAPHOR
Rabbit, flower, kikyo, moon, fish

At the time I was reflecting on what I was doing and wondering how to resolve some of the many threads that I was working on.

Post my exhibition SPIN I can look back on this list with some pleasure. I understand the things I was seeking then and can now say that I have found some solutions.

Regarding Technical foci looking for a subject: oils, layers, use of transparency, [representation of ] folds, fur, weaving
I continue to build technical skills. Back then I was testing how to achieve depth in my paintings, together with stylisation in representation of surface and form. Right now I am focused on using transparent layers in my oil paintings and continuing to develop mixed media layering in acrylic and collaged works. The subject matter I have found revolves around water, spherical forms and still life. These objects and materials are an obvious choice for technical studies. Here are some examples:


Regarding Expressive/aesthetic obsessions looking for a form: Fibre (texture, pattern, colour), digital (layers, textures, objects), painting (surface, texture, objects, Pareidolia)
This list of ‘things’ are endlessly intriguing me. I play with textures, patterns and shape in felted forms (I need to take good photos and will dedicate another post to that). My current digital works have more depth and detail and I am experimenting with dimensions and materials to better represent atmosphere, surfaces and objects. Digital and fibre forms have proved worthy to play out these obsessions.

Regarding Symbols and images looking for a personal metaphor: Rabbit, flower, kikyo, moon, fish
These symbols still appear throughout my works and have now been joined by new fetishes—such as pineapples, bugs, mist, stones, crows and the colour yellow. Through my series of digital works all these images have become compositional threads. But they’re more than just visual devices. These things appear and reappear in my real world. They appear in unexpected ways thereby always drawing attention to themselves. If some of my works border on the surreal it may be because the real and the imagined are dancing together through time. 


From all of this comes a new push to explore all these things further.

Deidhre Wauchop: Spirit Lichens

Deidhre Wauchop Spirit Lichens (WIP) Paper, acrylics and pencil on board

PS I don’t know what day this is of my 1000 days but I have a year to D-day!