The embroiderer

Henry Passmore Needlework picture of Fremantle Harbour 1890s (Collection of Western Australian Museum)

According to family records, Henry Passmore was my great-great-grandfather. He was the son of a lacemaker (England), a Crimean war veteran, a prison supervisor, a dredger, and a public servant. He also served on the North Fremantle Council. 

Importantly to me, he was also a designer. In DESIGN AND ART AUSTRALIA ONLINE he is listed as Designer (Textile Artist / Fashion Designer) and Artist (Carver).

He made embroideries, wood carvings and carved and upholstered furniture.

According to Sarah Murphy, Director of Conservation, National Trust of Western Australia writing about one of Passmore’s carved sideboards in 2015:

Once a year his [Henry Passmore’s] furniture was displayed in Sandovers’ shop window in Perth with a sign “Henry Passmore’s Suite”. Passmore’s work featured at international exhibitions such as the Indian and Colonial Exhibition in London in 1886 at which he won a medal.
Carved iconography abounds including cornucopia, roses, thistles, acorns, grapes and swans. A pair of kangaroos hold rifles in one paw and a flag over their opposite shoulder. This quirky piece of furniture is housed in the Trust’s offices in the Old Observatory, West Perth.

National trust WA news 2015

There is a complex set of influences on my work, but I am often drawn to design, and crossing the bridge backwards and forwards between ‘art’ and ‘craft’. My current work could be described as maximalist so Passmore’s ‘cornucopia’ is very appealing.

Traces of Henry Passmore’s genes might have more sway than I ever imagined.

Desperately seeking…

I am aware that I’m a slow blogger. Except by definition I’m glacial.

I’m pretty prolific when it comes to drafting posts though. There are lots of draft posts in the pot. 29 draft posts abandoned. This is one of them.

I came across this never-finished post from February last year. The title ‘Desperately seeking..’ pertained to gaps/wants/needs in my art practice and here is the list I wrote back then:

Technical foci looking for a SUBJECT:
oils, layers, use of transparency, [representation of ] folds, fur, weaving

Expressive/aesthetic obsessions looking for a FORM:
Fibre (texture, pattern, colour), digital (layers, textures, objects), painting (surface, texture, objects, Pareidolia)

Symbols and images looking for a PERSONAL METAPHOR
Rabbit, flower, kikyo, moon, fish

At the time I was reflecting on what I was doing and wondering how to resolve some of the many threads that I was working on.

Post my exhibition SPIN I can look back on this list with some pleasure. I understand the things I was seeking then and can now say that I have found some solutions.

Regarding Technical foci looking for a subject: oils, layers, use of transparency, [representation of ] folds, fur, weaving
I continue to build technical skills. Back then I was testing how to achieve depth in my paintings, together with stylisation in representation of surface and form. Right now I am focused on using transparent layers in my oil paintings and continuing to develop mixed media layering in acrylic and collaged works. The subject matter I have found revolves around water, spherical forms and still life. These objects and materials are an obvious choice for technical studies. Here are some examples:

      

Regarding Expressive/aesthetic obsessions looking for a form: Fibre (texture, pattern, colour), digital (layers, textures, objects), painting (surface, texture, objects, Pareidolia)
This list of ‘things’ are endlessly intriguing me. I play with textures, patterns and shape in felted forms (I need to take good photos and will dedicate another post to that). My current digital works have more depth and detail and I am experimenting with dimensions and materials to better represent atmosphere, surfaces and objects. Digital and fibre forms have proved worthy to play out these obsessions.

Regarding Symbols and images looking for a personal metaphor: Rabbit, flower, kikyo, moon, fish
These symbols still appear throughout my works and have now been joined by new fetishes—such as pineapples, bugs, mist, stones, crows and the colour yellow. Through my series of digital works all these images have become compositional threads. But they’re more than just visual devices. These things appear and reappear in my real world. They appear in unexpected ways thereby always drawing attention to themselves. If some of my works border on the surreal it may be because the real and the imagined are dancing together through time. 

      

From all of this comes a new push to explore all these things further.

Deidhre Wauchop: Spirit Lichens
Deidhre Wauchop Spirit Lichens (WIP) Paper, acrylics and pencil on board

PS I don’t know what day this is of my 1000 days but I have a year to D-day!